Making better portraits - Part 2 - Choosing the right lens.
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Portraits I have taken and the lenses they were photographed with. |
While it is true that you can shoot a portrait with just about any lens that you have, there are a few things that tend to be constant. The lens should have mild to moderate telephoto capabilities and you want to use the lowest apertures possible. In fact, I would go so far as to say that you should consider acquiring a prime (fixed focal length, not zoom), low-aperture lens with the intention of using it for only portraits.
DSLRs, mirrorless, and four-thirds cameras may have full-frame sensors, APS-C sized sensors with a crop factor of 1.5 or 1.6, and compact systems cameras with a crop factor of 2. The actual focal length is usually compared to the relative focal length of a full-frame camera. You can see the table below that has both the actual and relative focal length values.
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Table showing actual and relative focal lengths of lenses on digital cameras. |
My favourite lenses to use for portraits are primes that produce a relative focal length around 80 mm or so and have a minimum aperture below f/2. The good news here is that such a lens is relatively inexpensive for APS-C sensor cameras, a 50 mm f/1.8 lens can usually be acquired for under $200 used. There are many fabulous portrait lenses out there, some of them very pricey, because there is more to a lens than just focal length and aperture.
My favourite portrait lens is the 85 mm f/1.4 for both full-frame and APS-C sensor cameras. The f/1.8 variety is also very good, and for the money difference is probably a better choice for most people. Not only are the lenses of exceptional value, they produce a fabulous bokeh. Bokeh is the quality of the out-of-focus background you get. Soft, dream-like backgrounds with no geometeric artifacts are highly desirable. Have a look at the bokeh in the images below.
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Left: 85 mm f/1.8 lens on APS-C body Right: 85 mm f/1.4 lens on APS-C body |
Both images above were photographed at the lowest aperture. A wide open aperture is desirable because of the out-of-focus background it provides. Typically, wider is better. A minimum aperture of f/4 may be suitable in some situations, but f/2.8 is better and f/2 is better still. Zoom lenses tend to have higher minimum apertures while primes have lower ones. A kit 18-55 lens for an APS-C body typically produces a minimum aperture of f/5.6 at 55 mm (83 mm relative), and while the focal length is good, the minimum aperture may not produce the background effects you want. Have a look at the image below; it shows the difference between backgrounds with different aperture values.
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The 85 mm lens was on an APS-C body giving it a relative focal length of 128 mm. |
Conclusion:
If you are interested in doing portraits well, consider using a prime lens with a minimum aperture below f/2 and a relative focal length around 80 mm. A 50 mm f/1.8 prime is an excellent, inexpensive choice for APS-C cameras. Zooms are a viable option but may not produce an aperture low enough to get the desirable effect. The quality of the bokeh is also important and if your images are coming out with harsh backgrounds, you may want to consider moving to a more expensive lens.
Thanks for reading.
Eric Svendsen www.ericspix.com
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